Thursday 21 November 2013

'Libby, let's leave it at that' by The Delgonives




PRESS RELEASE

‘Libby, let’s leave it at that’
Written by Carl Dixon (PRS/MCPS)
By
THE DELGONIVES
Bandtraxs Records - Release date 21st October 2013



A brand new song and production performed by The Delgonives which sounds similar to those records released during the 1960's US west coast surfin' era. The orchestration particularly reminiscent of recordings that may feature the LA based 'Wrecking Crew' session musicians who performed on so many hits of the 1960's. Whether ‘The Monkees’, ‘The Beach Boys’ or Phil Spector’s wall of sound, 'Libby' is hoping to capture that spirit so evident in the song writing and studio back then.

This song was written and produced in London/England and the title comes from a comment British Prime-minister David Cameron made to a journalist who tried to quiz him about a rather delicate matter in the news, live on air!

The official release date is the 21st October 2013 and the track can be purchased from CD Baby, Amazon, iTunes and all leading download and streaming services.

IMPORTANT INFORMATION
Title: Libby, let’s leave it at that
Writer: Carl Dixon (PRS)
Published by: CHD Publishing (PRS)
Artist: The Delgonives
Label: Bandtraxs
Production: Carl Dixon for Bandtraxs Productions
ISRC number: GBXNE1300012
UPC: 888174338811
Artwork photo: Paul Topp (under license)
Sleeve art: Michelle Dixon
This release: 21st October 2013
Original incarnation: September 2012 Music/November 2012 Words
Recording location: London

For more information about Bandtraxs releases please visit

© Carl Dixon 2013

Produced by
Carl Dixon for Bandtraxs Productions

Recording location
London

Engineered, mixed and mastered by Carl Dixon

© Carl Dixon 2013

Friday 1 March 2013

'Make Five' by Bandtraxs


PRESS RELEASE


‘Make Five’

Written by: Carl Dixon 

Published by: Carl Dixon/CHD Publishing (PRS/MCPS) © 2009

℗ BANDTRAXS/Carl Dixon (PPL) 2013

Performed by


BANDTRAXS

 

The official release date 1st March 2013 and can be purchased from Amazon, iTunes and all leading digital streaming services.







A rhythmic collection of danceable instrumentals with soulful overtones from the 1970’s. Whether you like Disco, Hustle, Philly, Salsoul, Crossover, Modern, Motown or Beach Music, this could be of interest. 

If you enjoy retro sounding mid 1970’s soul, this Bandtraxs release features five new instrumental songs that capture the spirit of disco music prevalent around that time. These productions have been carefully crafted with respect to a period that gave us the likes of The Love Unlimited Orchestra, Gene Page, The Sound of Philadelphia, The Salsoul Orchestra and MFSB. The instrumentation remains faithful to a more traditional style of arrangement from the days when sequencing and midi did not exist. Although using modern techniques to record these tracks, the essence of the music here still sounds organic and collaborative. 

The main influences for this music are the 1970’s and particularly the Philly Sound. Nobody will ever recreate that music successfully without the musicians who made it and arrangers that so eloquently added their parts to the songs in the first place. The likes of Bobby Eli, Earl Young, Vince Montana, Ronnie Baker, Norman Harris, Thom Bell, Richard Rome and Bobby Martin are a few names that come to mind, but there are so many other individuals responsible for that sound too numerous to mention. The writers, producers, musicians, arrangers and artists are greatly appreciated and celebrated here with my efforts to write and produce this material. 

And for those familiar with Manchester rock bands of the 1980’s, thanks to Simon Moss on drums of ‘The Clouds’ fame on these sessions. Thanks also to Gavin Morris for his excellent work on the bass guitar. 


IMPORTANT INFORMATION 

Album title: Make five
 Label: Bandtraxs
Artist: Bandtraxs
UPC: 887516264030
 Sleeve art: Michelle Dixon 
Release date: 1st March 2013
Musicians

Drums: Simon Moss
Tambourine/percussion elements: Carl Dixon
Bass guitar: Gavin Morris
Guitar/wah wah: Carl Dixon
Keyboards (organ/electric piano): Carl Dixon

Orchestral sounds: Carl Dixon

Some elements of ‘The Drummers of Motown’ sample CD included
 Some instrument sounds by The Garittan Orchestra and IK Multimedia Sample Tank

Tracks 

Make five/Make five (alternate version) Written by: Carl Dixon
ISRC: GBXNE1300001/GBXNE1300002 Duration: 3’ 51”/3’ 50” 

Side tracked/Side tracked (alternate version) Written by: Carl Dixon, Simon Moss, Gavin Morris ISRC: GBXNE1300003/GBXNE1300004 Duration: 5’ 06”/4’ 51” 

Double up/Double up (alternate version) Written by: Carl Dixon, Simon Moss, Gavin Morris ISRC: GBXNE1300005/GBXNE1300006 Duration: 3’ 52”/3’ 46” 

A little of the big stuff/A little of the big stuff (alternate version) Written by: Carl Dixon
ISRC: GBXNE1300007/GBXNE1300008
Duration: 5’ 15”/5’ 16” 

Walk away the winner/Walk away the winner (alternate version) Written by: Carl Dixon

ISRC: GBXNE1300009/GBXNE1300010
Duration: 5’ 55”/5’ 53” 
 


**LISTEN TO 'A LITTLE OF THE BIG STUFF' BY THE FORMELLAS FOR THE VOCAL VERSION**

Recorded in London, England between 2009/2012

Mastered at Metropolis, Chiswick, London, 2nd January 2013, by Tim Young 

Written, arranged and produced by: Carl Dixon

This compilation © Carl Dixon 2013 

The sound recording copyright is owned by Carl Dixon/Bandtraxs 


For more information about these recordings please visit www.bandtraxs.com or contact carl@bandtraxs.com 



The story of 'Walk Away The Winner'/Bandtraxs ℗ 2013

My ‘Walk away the winner’ has certainly caused some intrigue. This is an original song I wrote and registered with the PRS in London on the 20th July 2011. Its legal song writing works registration number is EJNW-200711-0228-00. The recording, mixing and mastering process ensured its first official release on the 1st March 2013. The album it was released on was called ‘Make Five’ mastered by Tim Young in Chiswick, West London at Metropolis Studios on the 2nd January 2013. My original intent for the alum was to sound similar to The Sound of Philadelphia circa 1973/76, sort of MFSB/Salsoul Orchestra. I had recently been to Philly and worked with Bobby Eli in his studio and released a couple of the tracks we recorded with Double Exposure (Soul Recession) and Chiquita Green (There I go falling in love again). Once they were released I started my ‘Make Five’ project as Philly was fresh in my head and ‘Walk Away The Winner’ was one of the songs I wrote and produced.

It seems a segment of this recording has been included on a 1975 mix by DJMiki which implies that's when it was written, recorded and released. It is not true and I have no idea why it is included on this mix. I am flattered and have had so many communications asking me for the original song and vinyl details and even suggestions that I am not responsible for ‘Walk Away The Winner’ which does concern me. Whilst there was no specific song, melody, chords, arrangement or production, I used all my enthusiasm to create something worthy reflecting the producers & musicians on mid seventies TSOP, PhillyGroove and Salsoul material the best I could. Even influences from Bobby Eli, Vince Montana, VanMcCoy, Earl Young, Thom Bell, Bobby Martin, Phil Hurtt etc. Please beware that I believe that the mix shows a slight increase in speed and a different bass line, where mine has either electronically been removed or lowered in level which is also concerning. 


++UPDATED 26/4/2023++

This is an earlier demo version of 'Walk Away The Winner' from October 2011 with midi bass guitar PRIOR to the contractor supplying a live bass.

https://soundcloud.com/55motown/walk-away-the-winnerbandtraxs-early-demo-oct-2011

The story of 'Walk Away The Winner'/Bandtraxs ℗ 2013.

Demo version ©2011

This is an original song I wrote and registered with the PRS in London on the 20th July 2011. Its legal song writing works registration number is EJNW-200711-0228-00. The recording, mixing and mastering process ensured its first official release on the 1st March 2013. The album it was released on was called ‘Make Five’ mastered by Tim Young in Chiswick, West London at Metropolis Studios on the 2nd January 2013.

My original intent for the album was to sound similar to The Sound of Philadelphia circa 1973/76, sort of MFSB/Salsoul Orchestra. I had recently been to Philly and worked with Bobby Eli in his studio, wrote and released a couple of the tracks we recorded with Double Exposure (Soul Recession) and Chiquita Green (There I go falling in love again). Once they were released I started my ‘Make Five’ project as Philly was fresh in my head and ‘Walk Away The Winner’ was one of the songs I wrote and produced.

It seems a segment of this recording (or part of an earlier demo from around 2011) has been included on a '1975' mix by DJMiki which implies that's when it was written, recorded and released. It is not true. Whilst there was no specific song, melody, chords, arrangement or production, I used all my enthusiasm to create something worthy reflecting the producers & musicians on mid seventies TSOP, PhillyGroove and Salsoul material. I had tried to master the song(s)myself around October 2012 but felt I needed a professional so went to Metropolis in Chiswick/London on the 2/1/2013. I have all those versions and many many more different notions of the production. I may post a 'part 2' to this story on Soundcloud with some of that audio.

I have since found my original music folders which include many early incarnations of the song, including this 2011 version. I am starting to wonder whether a demo I posted on potentially Soundcloud in 2011 was used in the 1975 mix. That would have been deleted when I released the song in 2013. Even I can't find everything connected to this productions as:

1) Logic Audio stopped been available on Windows, so I migrated to MAC around this time and found it did not support the Windows files!
2) My MAC stopped working in 2021 so had to buy a new one. I had most of the files backed up, but...the new MAC was 64bit and some previous instrumentation on this song was 32bit. I have yet to establish those parts into 64bit so I can render them as WAV files. I could try and remove the hard drive and boot up from the new MAC which is a possibility.
3)And....I believe I may have started 'Walk Away The Winner' with another 'working title' on the Windows machine. That hard drive is in bubble wrap in a cupboard somewhere. I must find it and try and load it up on a Windows machine to see if I can find maybe find an original Logic Audio file that will load up. And of course the working title back then if there is one.

Trivia about the recording:
There are good stories about the title of the song and how it came about and the drums that Simon Moss played. That for another day.

I played some real guitar, real wah wah, real tambourine. I also played the following midi/plug in instruments - percussion, organ, electric piano, vibes, flute, strings and horns.

Reference tracks I used on my master (which I didn't release) were:
T.L.C/MFSB
Smarty Pants/First Choice
Everyman/Double Exposure
TSOP/MFSB

I wanted to see and hear the different Philly mastering files and compare levels etc.




It's good to read the analysists trying to fathom out the technology used and coming up with assumptions. This will be great for the book! There's an individual  who believes there are no human drummers on 'Walk Away The Winner'. The main Earl Young style drums is Simon Moss from the 90s Manchester group 'The Clouds' here in England. The hi hat work that sounds like 'Shaft' comes from 'The Drummers of Motown' sample cd bought in New York 1999. That CD was not available in 1975! There are other drumming elements from that CD too and NO Salsoul samples on any song on the 'Make Five' album, so thank you for the compliment. I will reveal all about the drums and sequencing in time. This is NOT a conventional studio recording. It is done with technology, some live elements, some midi elements, copy and pasting and to sound like the mid 70s best I could do. The bass on this is the original sent to me by Gavin Morris in Manchester after he learnt the song. He is also known as 'Jamerson Hook' on YouTube.


There is something crucial about the drums that only I can expand on. All I can say it's a defining element of the song because it was a challenge to do and complete. Somewhere on one of the mixes there is a badly quantised piano glissando which sounds shocking. How I missed it, I do not know. My guitar is out of tune and there are errors all over the place. Back then I did not have much experience mixing. As for mastering this album I paid £1000 to get all 5 (x2 each) songs mastered at Metropolis in London on the 2/1/2013. It was a real education.


The song was conceived, recorded, mixed and mastered in London, NOT the USA. There are many versions  as it progressed through its writing and development. The earliest file I found has a much more basic effort with many sweetening/arrangement elements that hadn't happened. An individual on YouTube accused me of not being around in 1975. I'll be old enough to be his father I guess :-)


I must reiterate that this is an original song composed by myself and it is not from 1975. The mix tape by definition is a fake by using my copyrighted and intellectual property whether the (2009 see below) 2011 demos or the 2013 release(s).


I think it is time for me to move on. I have been extremely proactive and whilst I am surprised one of my songs/productions has ended up being under scrutiny and the target of some hostilities, it's bitter sweet. There are two copyrights in a song/recorded work and I own both to 'Walk Away The Winner'.


I have included details of the released 2013 version in the metadata.




FEBRUARY 2023

++ I HAVE DISCOVERED RECENTLY THAT 'WALK AWAY THE WINNER' HAS BEEN INCLUDED IN A NUMBER OF DJ MIXES ON MIXCLOUD AND YOUTUBE GATHERING TRACTION. THIS COULD BE FROM THE ORIGINAL RELEASE(S) OR OFF AN EARLIER DEMO I POSTED IN 2011 (OR EARLIER) ON SOUNDCLOUD/YOUTUBE WITH A MIDI BASS. I MAY HAVE EVEN SENT IT TO SOMEBODY SO I NEED TO CHECK. AT ONE STAGE I BELIEVED THE MIX VERSION HAD AN ADDED BASS AND SPEEDED UP SLIGHTLY WHEN IN FACT IT APPEARS TO BE MY ORIGINAL DEMO BASS BEFORE THE LIVE ONE ADDED. THE MEDIA POSTS ARE POOR QUALITY AND POSSIBLEY HAVE BEEN PROCESSED

THERE IS A SUGGESTION THAT THIS SONG & PRODUCTION ARE NOT MINE, WHICH THEY ARE. THIS SONG AND PRODUCTION ARE NOT FROM 1975. THERE IS A QUEST TO FIND THE 'ORIGINAL (VINYL?) BY SOME INDIVIDUALS WHO CANNOT ACCEPT THE DJ MIX INCLUDING 'WALK AWAY THE WINNER' AS A MODERN TUNE AND THE TAPE IS FAKE. IT WILL NOT HAPPEN AS THIS IS A DIGITAL RELEASE ONLY IN 2013 (DEMOS 2011). IT APPEARS TO BE DISCREDITING A RESPECTED ITALIAN DJ. EITHER SOMEBODY IS MESSING WITH HIS MIXES OR HE DID IT INTENTIONALLY OR SOMEBODY ELSE GAVE HIM THE TRACK AND HE BELIEVED WHAT HE WAS TOLD ABOUT IT BEING FROM 1975. EITHER WAY THERE IS AN AGENDA WITH THIS AND IT STINKS. I NEED TO GET TO THE BOTTOM OF IT

I HAVE POTENTIALLY FOUND THE FIRST DAW WITH THE TITLE 'WALK AWAY THE WINNER' 11TH JULY 2009 IN AN OLD FOLDER. THERE ARE SOMETHING LIKE 30 VERSIONS UP UNTIL NOVEMBER 2011 INCLUDING 16 WINDOWS AND THE REST MAC. THEN I THINK THIS IS WHERE I CHANGED FROM WINDOWS TO MAC AND NAMED THE SERIES 'WALK AWAY THE WINNER MAC' TO DIFFERENTIATE THEM. THERE MAY EVEN BE EARLIER ONES WITH A WORKING TITLE. THAT FOR ANOTHER DAY. AND, I JUST FOUND A WAV FILE DATED 31ST JULY 2009 AND THE BEGINNING OF THE TRACK DOBLED UP TO TWICE AS LONG WHICH I HAD FORGOTTEN ABOUT++++


2nd May 2023 Update

I have potentially found the first DAW file titled 'Walk Away The Winner dated the 11th July 2009 in an old archived folder. There are something like 30 versions up until November 2011 including 16 Windows versions and the rest MAC. There are many wav and mp3 files as the song evolved. 

 I am still looking for earlier files with a 'working title'. One of the very early versions had the same familiar opening, but twice. Later I must have shortened the opener of the song. Another version had hand claps on.

This has been a real challenge. The song is my original written between 2009/2012 (registered with the PRS in 2011), released 1/3/2013. What is on the mix tape is now clearly one of my early demos and different to that official released. I made demos in 2009 but they had the 2009 arrangement  generated by a Windows PC and the instrument sounds on there.  I have found all those wav and mp3's demos...and more! 



++UPDATED 7th May 2023 - SoundCloud
This is an earlier demo version of 'Walk Away The Winner' from October 2011 with midi bass guitar PRIOR to the contractor supplying a live bass.

There are Salsoul samples on the early 2009 demos I did. I have loads of files of the song as a) it developed b) was learning the software!


The story of 'Walk Away The Winner'/Bandtraxs ℗ 2013. Demo version ©2011

This is an original song I wrote and registered with the PRS in London on the 20th July 2011. Its legal song writing works registration number is EJNW-200711-0228-00. The recording, mixing and mastering process ensured its first official release on the 1st March 2013. The album it was released on was called ‘Make Five’ mastered by Tim Young in Chiswick, West London at Metropolis Studios on the 2nd January 2013. 

My original intent for the album was to sound similar to The Sound of Philadelphia circa 1973/76, sort of MFSB/Salsoul Orchestra. I had recently been to Philly and worked with Bobby Eli in his studio, wrote and released a couple of the tracks we recorded with Double Exposure (Soul Recession) and Chiquita Green (There I go falling in love again). Once they were released I started to plan my ‘Make Five’ project as Philly was fresh in my head and ‘Walk Away The Winner’ was one of the songs I wrote and produced, in fact the last one. That same year, March 2008 I had also recorded four songs in Studio A/DearBorn Heights/Detroit and with those releases and the two Philly ones, I was busy.

It seems a segment of this recording (or part of an earlier demo from around 2011) has been included on a '1975' mix by DJMiki which implies that's when it was written, recorded and released. It is not true. Whilst there was no specific song influence, melody, chords, arrangement or production, I used all my enthusiasm to create something worthy reflecting the producers & musicians on mid seventies TSOP, PhillyGroove and Salsoul material. I had tried to master the song(s)myself around October 2012 but felt I needed a professional so went to Metropolis in Chiswick/London on the 2/1/2013. It was very expensive, but worth it for the experience! I have all those versions and many more different notions of the production. I may post a 'part 2' to this story on Soundcloud with some of that audio.

I have since found my earliest Windows (2009) & MAC (2011 onwards) folders which include many early incarnations of the WATW, including this from 2011. I am starting to wonder whether this or another around that time was used in that 1975 mix. That would have been deleted when I released the song in 2013. Even I can't find everything connected to this productions and am still digging

Trivia about the recording:
There are good stories about the title of the song and how it came about and the drums that Simon Moss played. That for another day.

I played some real guitar, real wah wah, real tambourine. I also played the following midi/plug in instruments - percussion, organ, electric piano, vibes, flute, strings and horns. The harp was a legal sample.

Reference tracks I used on my master(s) (which I didn't release) were:
T.L.C/MFSB
Smarty Pants/First Choice
Everyman/Double Exposure
TSOP/MFSB

There are some 'Drummers of Motown' and other DAW drums on this release.  NOTE: NOT from Motown records. in other words they are NOT samples from any Motown release.

Original commercial release details here:
http://bandtraxs.blogspot.com/2013/03/make-five-by-bandtraxs-new-release-1st.html